g26 — A COMPLETE WASTE OF TIME

Your Three Creative Modes

Full-bleed photography as emotional environment. Deliberate panel composition, muted color blocking, wide-tracked type as structure. Mood-first, always.

View Work →

Artisanal Craft

B-Spoke · Kuma · Bubble n Brew

Intricate badge logic, engraving-style ornament, warm cream-and-gold palettes rooted in real visual traditions. The detail always earns itself.

View Work →

III

Systems Design

TMJ Campaign · Haddonfield Brand · Deck Work

Scalable visual languages that stay coherent across dozens of formats and regional variants. Production design thinking meets aesthetic discipline.

View Work →

Signature Traits — Observed Across All Work

Photography as Mood

You never use photography as wallpaper. Every image is doing emotional and atmospheric work — the wet Philly street, the golden bike in a field, the close-cropped doctor portrait framed in teal geometry.

CWOT · B-Spoke · TMJ · Haddonfield

Typographic Intent

Wide-tracked small caps as structure. Serif display for gravitas. Compressed sans for utility. You match typeface to context precisely — the Haddonfield H mark and the TMJ deck headers speak entirely different dialects of the same language.

Kuma · CWOT · TMJ Deck · Haddonfield

Geometric Layering

Diagonal wedges, rotated diamonds, framed portrait inserts, dot-matrix grids — you use geometric structure as a compositional tool across every medium. It gives your work visual architecture without feeling mechanical.

TMJ Ads · CWOT · Kuma · B-Spoke

Historical Grounding

Your decorative work draws from actual traditions — Ukiyo-e, Victorian badge-making, vintage cycling ephemera — not aesthetic trends. This is what separates your craft work from generic "retro."

Kuma Color Palette · Bubble n Brew

Controlled Color

Always: a dominant tone, a rich mid, one accent. The Kuma palette (amber, slate, sage), the Haddonfield palette (black, white, negative space), the TMJ palette (teal, dark slate, white) — all disciplined, none accidental.

Across all projects

Ego Restraint

You know when to dial yourself down. The Green Acres email signature and the TMJ B2B deck are functionally clean, on-brand for their clients, with no unnecessary aesthetic injection. That's professional maturity most designers never develop.

Green Acres · TMJ Deck · Haddonfield Site

Where You Sit

Minimal

Layered

Trendy

Timeless

Illustrative

Photographic

Single Piece

System Builder

Self-expression

Client service

Digital-native

Hand-craft roots

A Note on Range

Most designers are good at one register. You operate credibly across three — the atmospheric and cinematic (CWOT, Haddonfield), the intricate and historical (B-Spoke, Kuma), and the scalable and systematic (TMJ, Green Acres). What makes this rare isn't range for its own sake — it's that all three modes share the same underlying values: disciplined color, intentional typography, and a deep instinct for when photography should do the emotional heavy lifting. The through-line holds even when the aesthetic register shifts completely.

Kindred Creators

Roger Deakins

Photography as emotional space

Herb Lubalin

Type with structural purpose

Hokusai

Your Kuma palette lives here

Jessica Hische

Ornament that earns its place

Wong Kar-wai

Color as emotional grammar

Bureau Borsche

Editorial grid with soul

Massimo Vignelli

Systems that don't sacrifice beauty

Nan Goldin

Intimacy as the point

The AtmosphericCraftsman

The Atmospheric
Craftsman